Occult Art


Occult Art

Esoteric occult art focusing on magickal philosophy concepts and mythological interpretation by Minneapolis artist Roger Williamson.

esoteric occult art, shamanism/psychedelic experience/transformational psychology/magic. occult visual artist. Minneapolis visual artist.
Atavistic Memories
esoteric occult art, symbolism, mythological original artworks, occult visual artist
In Times of Peril She Would Call Up All Strange Orders of Spirits to Protect Herself From Evil
An example of a modern occult visual artist. esoteric occult art works by Minneapolis, Minnesota, visual artist, author Roger Williamson
Evocation

Tarot Cards

tarot card art emperor,
Emperor
Tarot Chariot corresponding to astrological sign Cancer
Tarot Chariot
Tarot major arcana card Universe. tarot card art
Tarot Universe

Roger Williamson stands out as a singular force in occult art. He merges the esoteric and the visionary with painterly prowess that commands attention. Drawing on mystical traditions, mythology, and archetypal symbolism, his work invites viewers not just to look, but to enter an altered state of perception.

At first glance, the intensity of color strikes you. Vibrant reds, deep blues, and radiant golds suffuse his canvases. These are not mere aesthetic choices. They are deliberate invocations that recall the chromatic language of ritual and alchemy. His subjects—enigmatic figures, mythical beasts, and otherworldly landscapes—seem suspended between dimensions, as if captured mid‑occult ceremony.

Williamson’s technique is classical, yet always serves the visionary. His compositions echo Renaissance and Symbolist painting, yet feel modern in sensibility. Figures emerge from darkness, haloed in light. The finesse of the brushwork makes the dreamlike wholly tangible.

Beyond their visual allure, the works are layered with esoteric meaning. Initiates of Western mystery traditions will recognize tarot, astrology, and alchemical transformation. These references are woven subtly into the images. Yet the art remains accessible. Even those unfamiliar with occult symbolism can sense the numinous charge. These paintings feel like doorways to the unknown.

Roger Williamson’s occult art is a journey. It rewards both intuition and inquiry. He bridges the seen and unseen, making visible the invisible currents beneath reality. His work is not only to be admired. It is to be experienced, contemplated, and even meditated upon by those drawn to mystery.

Magickal Techniques

This conscious ability to tap diverse forms of energy, be empowered by them, and cleanse our perspective is what I call magick.

In my work I replace the word ritual with machine to remove the technique from religion. A machine converts energy from one form to another. It is a vehicle of transformation. Machines can transport people or things. They can communicate with other life forms. They can shape or transmute materials. Magick is a machine that transports you between places and dimensions. It lets you communicate with other life forms. It shapes and transmutes you. The magician creates a personal universe. Our lives are only as we choose to perceive them. How we react to situations is our choice.

Magick has nothing to do with telling people what to believe or how to live. The magician influences by example. If you feel called to encourage others, start by asking, how do I conduct myself? Self‑assurance and security come from within, not from the dogma of systems with agendas of control.

At the heart of magickal philosophy is a desire for experience and knowledge. It corresponds to the principle of Lucifer.

Magickal ability is not given. It is earned through hard work. Initiation is not bestowed. It is earned by confronting crisis and overcoming it. The degree of initiation matches your ability to meet the challenge. Magick is not a religion. It is a living technology. It develops individuality and self‑empowerment so we can become more than we are.

What is Magick and why practice it?

By using natural phenomena as symbols of inner processes, we can reintegrate ourselves into the fabric of the universe from which we exiled ourselves.

Once integrated, we can understand the music of the spheres and the language of their transmissions. By working with the geometric functions that underlie natural growth, we open to original states of consciousness and new life situations. This leads to a re‑evaluation of our circumstances. Magickal practice must become part of daily life, or it is just recreation. Magick is about changing and experiencing life, not escaping it. It offers the reward of unlimited territory, the Adventure Zone.

What matters is that we have inner or otherworldly experiences. If appropriate, we may assist others in gaining their own, equally valid revelations. Through these revelations we become self‑empowered and accountable for our actions.

Humanity longs for the big picture. We want to know where we fit in a cohesive, rhythmic universe. Our intuitive faculty is the key. Intuition takes diverse, apparently unrelated material and welds it into a system.

Religion and the Problem of Subjectivity in Magickal Revelation

There is a clear distinction between magick and religion. Religion is what happens to magick when its disciplines are neglected.

Major religions often center on the experiences of an individual prophet. Such a figure may have shamanic traits and knowledge of magickal techniques. They claim direct contact with worlds beyond their own.

However, visions and revelations are primarily relevant to the person who receives them. This is not because universal truths are impossible. It is because separating them from personal visions, and from the nonsense our minds can generate on the astral plane, is very difficult. Perhaps an angel or alien did reveal an essential truth to you. Unfortunately, you are not in a good position to tell golden drops of wisdom from the churning detritus of your own mind.

Developing this skill—becoming a dream linguist—is challenging and necessary for attainment.

From a magickal point of view, the magicians at the source of major religions failed. They passed on the content of their private revelations as objective truth. They did not pass on the technique of revelation. Those who followed became followers, not companions. They built institutions around the founder’s experience. These institutions focus on preserving themselves, not on providing truth. That had been the original purpose of seeking visions.

For this reason, I see religions as betrayals of their revelations. They are conformist misuses of valid mystical experiences by charismatic founders. They are hierarchic systems that remove people from direct contact with life energy and keep it in the hands of a few.

Because of this problem of subjectivity, we must have these mystic experiences ourselves. We must also support others in gaining their own, equally valid revelations. Through them we become self‑empowered and accountable. We learn to trust ourselves.

I believe truth is found within. We must quest and trust our inner voices and intuition. Being the only person who believes something does not make you wrong.

By learning to trust ourselves we become empowered. We are no longer minions of an agenda that wants us as automatons to sustain its rule.

As such, I offer the Jewel Machine Working. It is a technique of revelation for any practitioner who wants to prepare for the coming transformation by integrating with their daemon.

Western Ceremonial Magick and Ancient Egypt

The spirit of Egypt looms large over Western ceremonial magick as practiced today. The civilization that flourished in the Nile valley thousands of years ago still speaks to us.

Across centuries, Egypt has been seen as a cradle of magickal practice. Some say the word alchemy comes from Khem, the Black Land, an ancient name for Egypt. The name refers to the fertile black silt delivered by the Nile during its inundation. The fundamentals of this practice relate to the forces of nature at work in the Nile valley over the year.

Much ceremonial magick practiced today is tied to stories of natural cycles as experienced in that land. Certain practices mirror the action of local phenomena: the pole star and its constellations, Sirius, the Nile’s flood, the black silt it leaves, vegetation, the desert, the moon, the sun, and the wholeness of the year’s cycle.

Magickal Metaphysics & Ethics

We are immersed in invisible worlds our senses rarely detect. Our everyday faculties reveal only a fraction of the energies that share the universe with us. Gods, angels, ghosts, phantoms, and alien intelligences issue from the void of the infinitely large and the infinitely small. They attempt to converse with us.

Through dreams and emotions these energies speak. We seldom give ourselves time to translate their messages. In quiet moments and in sleep, their voices grow louder. They try to reintegrate us into the fabric of the universe, where all is interconnected. Our deeper selves, also invisible to most of us, struggle to respond.

In frustration, our bodies and minds revolt. Anger, illness, instability, and other complaints arise. Daily, we give ourselves to the messages of humanity instead of the forces of our inner selves. We trade individuality for comfort and a false sense of safety. Society promises a condition that does not exist. In accepting the falsehood, we relinquish our will. We sever ourselves from life’s current of adventure.

As a species and as individuals, we are losing our ability to adapt. New and original situations become tests of our existence. We tend to view them as hostile, not challenging.

This attitude is not new. It has developed since the rise of so‑called civilized humanity. For our ancestors, communication with invisible realms was a source of knowledge. You can still witness this among nomadic tribes. People we call primitive can find game and water without obvious methods. They can heal the sick and foresee events. Living closer to the great cycle of existence they know its laws. They know these are the laws of nature.

This is not to deny the place of technology. It has a role. Unfortunately, external achievements have usurped our inner world instead of working with it. Humanity’s evolution shows a drive to create comfort and safety. The price has been individuality and selfhood. We must learn that if we cannot confront and adapt to challenge, we will perish.

Our obsession with safety has even entered our myths. The forces of life, once shown in mythic figures, are now labeled good or bad instead of whole or challenging. Figures such as Cain and Set have become objects of fear. They should be seen as dynamic powers of change. These energies drive life. Denying them reduces our ability to live. Through their intervention we achieve wholeness, which we call good. Yet they also transform wholeness into another form. We often call that loss bad because it takes what we possess.

Most people today buy a make‑believe world of safety at the price of will. We accept limits. We sacrifice our dreams. It is easy to see why conspiracy theories arise. They suggest elite groups control the many by promising safety.

I see the restrictions as more human condition than conspiracy. Our work is to develop and overcome limits our own species imposes. The adversity we must defeat is complacency.

Prevention is better than cure. As a species, we have not taken the steps needed to keep a healthy contact with life’s force. It is time to shift perspective. Realign your attitude to the gift of life. Treat adversity as opportunity. Let it reawaken the dormant fire of limitless possibility. Ask yourself, What am I doing with the gift I have been given? Our attitude toward life’s new situations is the key.

Focus your efforts on cleansing negative attitudes. Then you can better interact with life. Negativity is the aspect of wholeness that fears losing what it has. When a challenge appears, look for the puzzle to unlock. Do not slip into the despair of having to work. Many systems offer enlightenment and self‑empowerment. Each is as good as the next. But if your system is not impacting your daily life, it is entertainment.

The terms creation and destruction can mislead until seen as one energy, the current of life. When we see the force as creative, we are often watching its restriction into forms that limit its flow. That destroys it. What we call destruction is the life‑force escaping confinement. In escaping, it creates. Construction and destruction are the same energy. Only perspective divides them. One person’s sunset is another’s sunrise.

We give elemental energies forms to rationalize their qualities. Yet they are formless. They are generative powers through which forms appear and change. They are dynamic links between heightened states of being and the world of three dimensions. When we give energy form, we seem to kill it, but we capture it. Within form it incubates, awaiting liberation.

Humans are temporary expressions of the life‑force. We are ripples across the ocean of the infinite, like everything else. We are no better and no worse. When we cannot change and adapt, life moves on. It departs to find a more adventurous, plastic medium. We die and return to the reservoir from which life draws material for its phases.

Creation, destruction, birth, and death can be symbolized by a gateway. Through this gate we step into the unknown and are devoured by the universe. In nature, we see this in the eater and the eaten. The eaten is assimilated into the eater and becomes part of a larger existence.

Originally, creation and destruction were shown as basic elements: fire, water, wind, earth. This emphasized their non‑human nature. Over time, they took animal form as totems. Finally, they were reduced to human aspects with human traits.

Read the Greek myths and you will see this change. The forces of nature were reduced to their lowest factor. We should not label these energies as good or bad. They are raw drives pushing outward to new syntheses. We have made them stand for our emotions. We then project those emotions back onto nature as good and bad.

Other Resources

QBL

Salón Arcano Gallery

Tarot of the Morning Star

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